The Concert Films of David Byrne: Stop Making Sense and American Utopia

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew focus in on David Byrne’s illustrious concert films.

Adam and Andrew discuss Byrne and Talking Heads in a wider context, as well as focusing in on Jonathan Demme’s 1984 release Stop Making Sense, and the recently released, Spike Lee-directed, American Utopia.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about David Fincher’s filmography.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro: 0:00 – 23:41

Stop Making Sense: 23:42 – 49:48

American Utopia: 49:49 – 94:08

Wrap-Up: 94:09

Halloween Spooktacular: Our favourite horror movies

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew are joined by a special guest for a timely Halloween-themed episode.

Along with their friend Ben Rauman, Adam and Andrew share some of their all-time favourite horror movies, and discuss some of the key questions surrounding the genre, as well as their own feelings about cinematic scares.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about David Byrne, Stop Making Sense, and American Utopia.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Warning: This episode contains some spoilers.

Running order:

Intro: 0:00 – 3:20
Our relationship to horror: 3:21 – 14:30
Favourite horror movies
Sinister: 14:31 – 39:31
The Cabin in the Woods (SPOILERS): 39:32 – 54:16
Christine: 54:17 – 68:04
The Babadook: 68:05 – 82:42
The Witch (SPOILERS): 82:43 – 105:49
Carrie: 105:50 – 125:43
Hereditary: 125:44 – 144:38
The Shining: 144:39 – 159:16
Rosemary’s Baby: 159:17 – 179:15
Wrap-up: 179:16 – end

A visit to the Paddington Cinematic Universe

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew take a very welcome break from reality to discuss all things Paddington.

Diving deep on the literary character that became something of a family film sensation in recent years, Adam and Andrew discuss Paddington and Paddington 2, along with what gives these movies genuine mass appeal and why they represent the kind of blockbuster fare that the world needs much more of.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about our favourite horror movies.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 01:41)

Get to know Paddington – (01:42 – 34:50)

Paddington – (34:51 – 61:07)

Paddington 2 – (61:08 – 90:20)

Wrap-up – (90:21 – end)

First Cow, and the films of Kelly Reichardt

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew discuss one of the year’s most critically acclaimed films, First Cow, and the wider filmography of director Kelly Reichardt.

Also diving particularly deep on Old Joy and Meek’s Cutoff, Adam and Andrew examine the style and themes of one of the most accomplished and interesting filmmakers working in the world of American independent cinema today.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about the Paddington (!!) movies.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 01:41)
Who is Kelly Reichardt? – (01:42 – 16:14)
Old Joy – (16:15 – 57:05)
Meek’s Cutoff – (57:06 – 80:36)
First Cow – (80:37 – 107:25)
Wrap-up – (107:26 – end)

The films of Richard Ayoade: Submarine and The Double

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew discuss the films of Richard Ayoade.

With just two feature films to his name, British independent filmmaker Ayoade has built a fascinating if compact filmography with Submarine and The Double. Adam and Andrew discuss those films in great detail, and much more.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about First Cow, and the films of Kelly Reichardt.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 01:56)
Who is Richard Ayoade? – (01:57 – 14:25)
Submarine – (14:26 – 50:03)
The Double – (50:04 – 87:59)
What’s next for Ayoade? – (88:00 – 95:38)
Wrap-up – (95:39 – end)

The best movies of 2020 so far, and a very weird year for cinema

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew return with their (spoiler-free) thoughts on the movies of 2020 so far.

The world has been turned upside down in 2020, and the effects of that have been felt particularly keenly in the world of cinema. Adam and Andrew highlight three 2020 movies that spoke to each of them, along with offering up a more extended list of honorable mentions.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about Submarine, The Double, and the work of Richard Ayoade.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 02:01)
The weirdest movie year ever and the future of movies – (02:02 – 33:48)
Andrew’s 3 picks from 2020 so far – (33:49 – 80:16)
Boys State – (33:49 – 53:43)
Palm Springs – (53:44 – 64:52)
I’m Thinking of Ending Things – (64:53 – 80:16)
Adam’s 3 picks from 2020 so far – (80:17 – 124:29)
Tenet – (80:17 – 89:21)
The Painter and the Thief – (89:22 – 94:14)
Hamilton – (94:15 – 106:42)
Honorable mentions – (106:43 – 122:22)
Wrap-up – (122:23 – end)

The Fugitive, Blow Out, and how to make a great thriller

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew return with thriller recommendations for each other based on a film the other hasn’t seen.

Starting off a new format that you’ll hear more of in future episodes, Adam and Andrew discuss The Fugitive, Blow Out, and their more general thoughts on the thriller genre through the prism of those two movies.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about Office Space, Being There, and comedies.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:00 – 03:54)

The Fugitive (With SPOILERS) – (03:55 – 42:36)

Blow Out (With SPOILERS) – (42:37 – 124:29)

Wrap-up – (124:30 – end)

Note – Movies discussed in this episode include (in alphabetical order): Blow Out, The Fugitive

2004 in film, Eternal Sunshine of the Spotless Mind, Primer

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew continue their cinematic journey through the 21st century, on this occasion focusing on the films of the year 2004.

As well as a wider look at the movies released in that year, Andrew and Adam discuss their picks from the year in detail: Michel Gondry’s Eternal Sunshine of the Spotless Mind and Shane Carruth’s Primer.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about Da 5 Bloods and the films of Spike Lee.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro to 2004 movies – (0:25 – 03:44)

Prestige pictures and the Oscars – (03:45 – 21:58)

Arthouse and indie releases – (21:59 – 37:27)

Blockbusters and the box office – (37:28 – 52:52)

Eternal Sunshine of the Spotless Mind – (52:53 – 91:23)

Primer – (91:24 – 133:07)

Wrap-up – (133:08 – end)

Note – Movies discussed in this episode include (in alphabetical order): Before Sunset, Eternal Sunshine of the Spotless Mind, Fahrenheit 9/11, Million Dollar Baby, National Treasure, Primer, The Aviator

2003 in film, Kill Bill Vol. 1, Elephant

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew continue their cinematic journey through the 21st century, on this occasion focusing on the films of the year 2003.

As well as a wider look at the movies released in that year, Andrew and Adam discuss their picks from the year in detail: Quentin Tarantino’s Kill Bill Vol. 1 and Gus Van Sant’s Elephant.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a look at the movies from the year 2004.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro to 2003 movies – (0:25 – 10:23)

Prestige pictures and the Oscars – (10:24 – 21:03)

Blockbusters and the box office – (21:04 – 34:37)

Kill Bill: Vol. 1 – (34:38 – 71:12)

Elephant – (71:13 – 116:28)

Wrap-up – (116:29 – end)

Note – Movies discussed in this episode include (in alphabetical order): City of God, Elephant, Finding Nemo, Kill Bill: Vol. 1, The Lord of the Rings: The Return of the King, School of Rock

The films of Damien Chazelle, and The Eddy

.Reading time 1 minute.

In the latest episode of Captured on Celluloid, Adam and Andrew discuss the films of Damien Chazelle, and The Eddy, a new Netflix series which Chazelle directed the first two episodes for.

Chazelle has grown into one of the most successful and interesting filmmakers working in Hollywood today, enjoying colossal success both critically and commercially at a very young age.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion of the films of the year 2003.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 06:38)

The Eddy – (06:39 – 27:22)

Guy and Madeline on a Park Bench and Whiplash – (27:23 – 69:08)

La La Land – (69:09 – 84:49)

First Man – (84:50 – 104:56)

Final thoughts – (104:57 – 105:52)

Wrap-up – (105:53 – end)

Note – Movies and TV shows discussed in this episode include (in alphabetical order): First Man, Guy and Madeline on a Park Bench, La La Land, The Eddy, Whiplash