Top 3 Jake Gyllenhaal performances

In the latest episode of Captured on Celluloid, Adam and Andrew dive into the career and movies of actor Jake Gyllenhaal, with the help of special guest Jordan Treske.

Along with exploring Gyllenhaal’s persona, and his status as a movie star, Adam, Andrew, and Jordan dive deep on their personal favorite performance and movies he’s starred in.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation about the year 2001 in cinema, with a particular focus on Y Tu Mama Tambien and Ocean’s Eleven.

You can find Captured on Celluloid on Apple PodcastsCastboxGoogle PodcastsOvercastPocket CastsRadioPublicSpotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 2:18)

Why Jake Gyllenhaal, and what makes him interesting as a movie star? – (2:19 – 14:36)

What are Gyllenhaal’s strengths as a performer? – (14:37 – 21:10)

Honorable mentions – (21:11 – 42:01)

Prisoners – (42:02 – 55:59)

Nocturnal Animals – (56:00 – 69:14)

Wildlife – (69:15 – 80:51)

Zodiac – (80:52 – 97:01)

Nightcrawler – (97:02 – 116:00)

Enemy – (116:01 – 131:11)

What next for Gyllenhaal? – (131:12 – 137:35)

Wrap-up – (137:36 – end)

Note – Movies discussed in this episode include (in alphabetical order): Brokeback Mountain, Donnie Darko, Enemy, Nightcrawler, Nocturnal Animals, Okja, Prisoners, Spider-Man: Far From Home, Source Code, Wildlife, Zodiac

The films of Jacques Demy: Lola, The Umbrellas of Cherbourg, The Young Girls of Rochefort

In the latest episode of Captured on Celluloid, Adam and Andrew dive into the films of French New Wave director Jacques Demy, with the help of special guest (and Andrew’s brother) Jordan Snyder.

Along with touching on some of Demy’s foundational films such as Lola, The Umbrellas of Cherbourg, and The Young Girls of Rochefort, the Snyders’ shared love of Damien Chazelle’s La La Land means it also features prominently in the conversation thanks to its own Demy tributes and influences.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation with special guest Jordan Treske about the career of Jake Gyllenhaal.

You can find Captured on Celluloid on Apple PodcastsCastboxGoogle PodcastsOvercastPocket CastsRadioPublicSpotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:
Intro – (0:25 – 1:59)
Why Jacques Demy? – (2:00 – 4:53)
Introduction to Demy, and the French New Wave – (4:54 – 11:57)
The world and themes of Demy’s films – (11:58 – 18:55)
Lola – (18:56 – 39:03)
Lola with SPOILERS – (39:04 – 45:55)
The Umbrellas of Cherbourg – (45:56 – 68:25)
The Umbrellas of Cherbourg with SPOILERS – (68:26 – 75:10)
The Young Girls of Rochefort, and its relationship with La La Land – (75:11 – 98:14)
Demy’s lost Hollywood career – (98:15 – 103:36)
Final thoughts on Demy – (103:37 – 106:11)
Jordan’s recommendation – (106:12 – 108:32)
Wrap-up – (108:33 – end)

Note – Movies discussed in this episode include (in alphabetical order): La La Land, Lola, Model Shop, The Umbrellas of Cherbourg, The Young Girls of Rochefort

2000 in film, O Brother, Where Art Thou? and In the Mood for Love

Adam and Andrew dive deep into the movie year that was 2000, and highlight their personal favorite films from that calendar year.

In the latest episode of Captured on Celluloid, Adam and Andrew begin their cinematic journey through the 21st century to date, starting with the films of the year 2000.

As well as a wider look at the movies released in the year of the millennium, Andrew and Adam discuss their personal favorites from the year in detail: the Coen brothers’ O Brother, Where Art Thou? and Wong Kar-Wai’s In the Mood for Love.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a conversation with special guest Jordan Snyder about Lola, The Umbrellas of Cherbourg, The Young Girls of Rochefort, and the cinema of Jacques Demy.

You can find Captured on Celluloid on Apple PodcastsCastboxGoogle PodcastsOvercastPocket CastsRadioPublicSpotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 5:50)

Overview of the movies of 2000 – (5:51 – 43:51)

Andrew’s pick: O Brother, Where Art Thou? – (43:52 – 74:57)

Adam’s pick: In the Mood for Love – (74:58 – 108:40)

Wrap-up – (108:41 – end)

Note – Movies discussed in this episode include (in alphabetical order): Cast Away, Erin Brockovich, Gladiator, In the Mood for Love, O Brother, Where Art Thou?, Requiem for a Dream

Top-10 movies of 2019

Adam and Andrew offer up their final thoughts on the movies of 2019, by picking their favorite films of the year.

In the latest episode of Captured on Celluloid, Adam and Andrew reveal their respective top-10 lists for the movies of 2019 in a spoiler-free podcast.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for the first part of a wider discussion of the films of the 21st century, beginning with the year 2000, and featuring In the Mood for Love and O Brother, Where Art Thou?

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 5:17)

Honorable mentions – (5:18 – 19:19)

The Irishman – (19:20 – 30:19)

Pain and Glory – (30:20 – 35:13)

The Farewell – (35:14 – 43:37)

Knives Out – (43:38 – 51:41)

Transit – (51:42 – 56:18)

The Lighthouse – (56:19 – 69:13)

Bait – (69:14 – 78:28)

Midsommar – (78:29 – 94:31)

Little Women – (94:32 – 109:22)

Marriage Story – (109:23 – 124:49)

Parasite – (124:50 – 129:27)

Portrait of a Lady on Fire – (129:28 – 139:46)

Uncut Gems – (139:47 – 148:41)

Once Upon a Time in Hollywood – (148:42 – 169:23)

Wrap-up – 169:24 – end

Note – Movies discussed in this episode include (in alphabetical order): Bait, The Farewell, The Irishman, Knives Out, The Lighthouse, Little Women, Marriage Story, Midsommar, Once Upon a Time in Hollywood, Pain and Glory, Parasite, Portrait of a Lady on Fire, Transit, Uncut Gems

Parasite, and a crash course on the cinema of Bong Joon-ho

Adam and Andrew react to Parasite’s historic Oscar win, unpack what’s made the movie such a sensation, and dive deep into Bong Joon-ho’s filmography.

In the third episode of Captured on Celluloid, Adam and Andrew dive deep on Parasite, and the wider variety of Bong Joon-ho’s directorial career.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion about Parasite and the films of Bong Joon-ho.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 07:52)

Bong and Parasite’s big night at the Oscars – (07:53 – 32:18)

What is Parasite about? – (32:19 – 45:26)

The universality of Parasite‘s themes (45:27 – 57:05)

Balancing tone and jumping across genres (57:06 – 66:54)

(SPOILERS FROM THIS POINT ON!)

Extended thoughts with spoilers (66:55 – 90:54)

Ending and overall thoughts: (90:55 – 115:09)

Crash Course: The hallmarks of Bong: (115:10 – 120:32)

Barking Dogs Never Bite: (120:33 – 123:26)

Memories of Murder: (123:27 – 131:37)

The Host: (131:38 – 136:28)

The Mother: (136:29 – 139:01)

Snowpiercer: (139:02 – 144:42)

Okja: (144:43 – 129:00)

Wrap-up: (129:01 – end)

Note – Movies discussed in this episode include (in alphabetical order): Barking Dogs Never Bite, Dunkirk, Memories of Murder, Uncut Gems, Parasite

On a screen near you…Uncut Gems – Episode 2

Adam and Andrew break down the Safdie Brothers’ latest frenetic New York masterpiece, Uncut Gems.

In the second episode of Captured on Celluloid, Adam and Andrew dive deep on the Safdie Brothers’ Uncut Gems.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell), like us on Facebook, and come back next week for a discussion about Parasite and the films of Bong Joon-ho.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 4:30)

Why should people watch Uncut Gems? – (04:31 – 13:26)

What is Uncut Gems about? – (13:27 – 20:28)

Adam Sandler goes dramatic again (20:29 – 47:49)

(SPOILERS FROM THIS POINT ON!)

The world of Uncut Gems (47:50 – 87:05)

Building unbearable tension (87:06 – 95:12)

Ending and overall thoughts: (95:13 – 107:37)

Recommended further viewing: (107:38 – 116:17)

Wrap-up: (116:18 – end)

Note – Movies discussed in this episode include (in alphabetical order): A Serious Man, Dunkirk, Hard Eight, Uncut Gems, You Were Never Really Here

An introduction through movies – Episode 1

Singin' in the Rain

Get to know Adam McGee and Andrew Snyder, the hosts of Captured on Celluloid!

In the first episode of your new favorite movie podcast, Adam and Andrew give a taste of what you can expect from the podcast in the future, and offer an extensive guide to why cinema is important to them, and which movies act as touchstones for different moments in their lives.

If you like what you hear, make sure to subscribe, follow on Twitter (@CapturedOnCell) and come back next week for a discussion about Uncut Gems.

You can find Captured on Celluloid on Apple Podcasts, Castbox, Google Podcasts, Overcast, Pocket Casts, RadioPublic, Spotify, and Stitcher.

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

Running order:

Intro – (0:25 – 10:28)

Why is film important to Adam and Andrew? – (10:29 – 22:07)

What’s the first movie Adam and Andrew saw in a cinema? – (22:08 – 34:46)

What was the film that opened up Adam and Andrew’s eyes to the power of cinema? (34:47 – 53:54)

If they could only watch one movie for the rest of their lives, what would Adam and Andrew choose? (53:55 – 67:58)

What movies would Adam and Andrew most like to see again with a fresh pair of eyes? (67:59 – 84:35)

Wrap-up: (84:36 – end)

Note – Movies discussed in this episode include (in alphabetical order): Before Sunset, La La Land, Memento, Mighty Morphin Power Rangers: The Movie, Singin’ in the Rain, Taxi Driver, The Departed, The Empire Strikes Back, The Lion King, Vertigo

Ready to launch!

It’s taken a little bit longer than anticipated, but finally Captured on Celluloid is ready to launch.

Our first full episode will post on Tuesday, January 28th!

The delay came from ensuring that our first podcast episode would be available to everyone who might want to listen, and thankfully we’ve now reached something at least close to that point.

If you’d like to subscribe to make sure you don’t miss a single episode going forward, you can find the links to your platform of choice below:

Apple Podcasts

Castbox

Google Podcasts

Overcast

Pocket Casts

RadioPublic

Spotify

Stitcher

Alternatively, all of our podcasts will also be available to listen to online at our Anchor.fm profile.

With that in mind, let’s give you the slightest of tasters of what’s to come. Listen to the trailer for our Captured on Celluloid podcast below!

Welcome to Captured on Celluloid!

A place to talk about movies.

Captured on Celluloid is a new outlet for Adam McGee and Andrew Snyder to discuss all things film.

Those conversations will take the form of podcasts crossing a varied range of films, articles and blog posts shared here on the website, and interaction with readers and listeners on social media (as soon as we have either of those things).

We’ve got big plans for what’s to come and are incredibly excited to share this project with everyone.

If you like movies, regardless of whether they mean Marvel or Melville to you, come along for the ride with an open mind. Worst case: we may occasionally make you laugh. Best case: we hope your passion for film will only grow along the way.